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�WOMEN OF KIOTO. WOMEN OF KIOTO. RESTAURANT AND TEA-GARDEN AT KIOTA. RESTAURANT AND TEA-GARDEN AT KIOTA.

�THE MINT AT OSAKA.—FROM OSAKA TO NARA AND KIOTO."There are the boatmen, but no boats," said Fred, as he pointed to some stalwart men who were sitting on the bank, and evidently waiting for something to turn up.

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There was not a great deal to be seen in the town, and so the next morning the three travellers started for Canton. There is a boat each way daily, and the journey is made in seven or eight hours; the boys found that the boat in which they went was of American construction, and had an American captain, and so they felt at home, as they had felt on the Yang-tse under similar circumstances."Look, look! here's a familiar face!"�

THRESHING GRAIN NEAR CHIN-KIANG. THRESHING GRAIN NEAR CHIN-KIANG. "'You can buy plenty of old ware of all kinds,' the same man said, 'but you had better have it made, and then you know you are not cheated.' Very sensible advice, I think—don't you?�

�"They squeeze the ankles in much the same way, by making the man kneel on the ground, with his ankles in a frame of three sticks that are fastened together at one end by a cord like that of the finger-squeezer. Then, when all is ready, they pull at the cord and draw the sticks nearer to each other, so that pressure is brought on the ankles. The pain is intense, and the most demure Chinaman is not able to stand it without shrinking. This mode of torture, like the other, is used to make prisoners confess the crimes of which they are accused, and they generally confess them. It is said that witnesses may be subjected to the ankle torture, but with the modification in their favor that only one ankle can be squeezed at a time. Very kind, isn't it?

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��"The orchestra furnishes music by means of the guitar, or 'samisen.' It is played something like our guitar, except that a piece of ivory is used for striking the strings, and is always used in a concert that has any pretence to being properly arranged. There are two or three other instruments, one of them a small drum, which they play upon with the fingers; but it is not so common as the samisen, and I don't think it is so well liked. Then they have flutes, and some of them are very sweet, and harmonize well with the samisen; but the singers do not like them for an accompaniment[Pg 235] unless they have powerful voices. The samisen-players generally sing, and in the theatres the musicians form a part of the chorus. A good deal of the play is explained by the chorus; and if there are any obscure points, the audience is told what they are. I remember seeing the same thing almost exactly, or, at any rate, the same thing in principle, in the performance of "Henry V." at a theatre in New York several years ago, so that this idea of having the play explained by the chorus cannot be claimed as a Japanese invention.

�"I should think it would be a very painful remedy," Fred remarked, "and that a man would be quite unwilling to have it applied."�

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��ANTICS OF THE HORSES. ANTICS OF THE HORSES.

"If I go to sleep," I said,--"you know how I dream. I shall have one of those dreams of mine to carry around in my memory for a year, like a bullet in my back." So there the dear fellow had sat all night to give me my hourly powders of reassurance that I could be a quartermaster's clerk without shame.Lookee sharp—so fashion—my:I was thrilled. I was taken into the staff's confidence! Me, Smith! That Major Harper would tell me part of a matter to conceal the rest of it did not enter my dreams, good as I was at dreaming. The flattery went to my brain, and presently, without the faintest preamble, I asked if there was any war-correspondent at headquarters just now. There came a hostile flash in his eyes, but instantly it passed, and with all his happy mildness he replied, "No, nor any room for one."